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PARIS: JEAN CLAUDE-ELLENA
When the New Yorker magazine sent Chandler Burr to Paris and inside
the luxury goods maker Hermès, Burr began what would become a year of
reporting on perfumer Jean-Claude Ellena. Ellena was starting the
creation of a new Hermès perfume. He was an industry legend who could
smell the difference between jasmine absolutes distilled in steel or
in aluminum, but he was just assuming a position no one had ever
occupied-official Hermès perfumer-and would be shouldering
responsibility for the total restructuring and revival of the house's
troubled multi-million dollar perfume business. Hermès had agreed to
give Burr complete internal access to watch Ellena and its marketers
create, from beginning to end, their next scent, which they would be
launching one year later on the $31 billion perfume market.
Publishers Weekly *Starred Review* New York Times perfume critic Burr (The Emperor of Scent) follows the creation of two new scents-Un Jardin sur le Nil by French luxury house Hermès, and Lovely, a celebrity fragrance by Sarah Jessica Parker-in a kind of travelogue through the international perfume industry, "one of the most insular, glamorous, strange, paranoid, idiosyncratic, irrational, and lucrative of worlds." The former perfume was conceived by Hermès, informed by a trip to Egypt, then crafted by Jean-Claude Ellena, who represents a breed of "ghosts" known in the biz as perfumers. For the latter, Parker worked as artistic director of a corporate scent-making team. Burr illuminates perfumery's clash of cultures and values-French artistic purity versus American commercialism. Worldwide, this highly secretive industry's PR machine propagates several anachronistic myths. For example, it insists that perfume ingredients are naturally derived (the overwhelming majority are not, because of concerns about quality control, ecological impact and allergies, among others) and that the big names on the bottles are personally involved in creating scents (perfumers alone typically do this; Parker was a rare exception). Burr makes a strong case that this mythmaking works to the industry's detriment, and that inviting the public behind the scenes might help to reverse the industry's declining sales. Burr's is a thorough and often hilarious account of perfumery's colorful characters, the science and art of fragrance creation and the human experience of scent itself. (pub: Jan '08.) |